I am a subscriber in part because I really am curious about and value how you see things, so for me I'd rather you interview people instead of asking them to write about themselves.
Take a look at Amy Selwyn who is doing some fascinating work with AI generated images. I'm generally not drawn to subject focused photography or narrative image making (with a few notable exceptions) but her work, in which she generates images of Eastern European Jewery that was lost to the pogroms of the late 19th and early 20th centuries and the holocaust are very compelling.
I just joined Substack - also a photographer - and this idea is so warming! It’s so exciting to see a platform where photographers are exploring human connection more than just posting an image haha. I don’t have any recommendations on folks but I find it interesting hearing how some photographers like finding moments and documenting and others enjoy create scenes and still life’s. And some see it being both!! Hope you find some connection through it all!
Thank you for the warm welcome Andy and for following my newsletter. I'll apologize then now for any grammatical errors and run on sentences you'll see in mine hahaha. Excited to hear more about you and others in your discussion as well!!! Currently obsessed with Substack and finding more photo discussions here haha.
As far as I am concerned, I tend to consider photography as a mean to "express myself about the world we live in", not just "express my self". Therefore, my inspiration is always the subject. Whatever subject. Wherever. Whenever. Whoever. The subject. Of course, I consider it with my culture, my knowledge, my sensitivity; I don't pretend to be some kind of "objective journalist" in anyway; but try to be "authentic", rather than "objective".
So inspiration comes from the subject, point of view is a bit more personal, and the point of junction between the two is the true birthplace of the magic and energy!
Good vibes with this initiative. I’m interested in participating as a Street Photographer based in the Netherlands. I am just starting with Substack, but have a track record on medium: https://medium.com/@fernandopirescoelho.
This sounds amazing. I am interested in participating. I am a writer working on a book that I think of as a paper house. A place where my late husband and I can survive eternity. I am also doing a series of Savannah Nighttime photos, which are becoming more and more important to me.
Recently had an 'interesting' occurrence. I live in downtown San Francisco, an area beset with thousands of: homeless, addicted, and mentally challenged individuals. Many of these individuals are clearly unable to care for themselves and I usually refrain from photographing them, 99.99% of the time. As photographers however, we are advised to photograph what we are familiar with, what we experience in our everyday lives- so it would be rather hypocritical of me to completely ignore this daily segment of my life. As I was sizing up a possible photo op that involved a homeless person, another person walked by admonishing me for doing so. I later discovered he was a prominent member of the SF "street photography" scene.
Generally, I agree with his sentiment. But to automatically assume I was attempting to create an image that was exploitative is the same mistaken assumption made by those who think that photographers taking pictures of buildings, groups in public, etc are potential terrorists. Years ago, I saw a photographer with a motorized Nikon in one hand (with a leather racing glove no less) and a Leica in the other. What a douche, I thought to myself. A week or two later, I saw some of his photos- I learned not to criticize until I saw the final product. That's not to say that the end always justifies the means, but one really should have a more thorough grasp of what may be occurring before they rant and berate...
I am a subscriber in part because I really am curious about and value how you see things, so for me I'd rather you interview people instead of asking them to write about themselves.
Love the idea of the Show and Tell, Adam. Looking forward to seeing how that progresses :)
Take a look at Amy Selwyn who is doing some fascinating work with AI generated images. I'm generally not drawn to subject focused photography or narrative image making (with a few notable exceptions) but her work, in which she generates images of Eastern European Jewery that was lost to the pogroms of the late 19th and early 20th centuries and the holocaust are very compelling.
Can't wait to read these and see how the interviews evolve and if maybe collaborative (between interviewer/interviewee) photos may be involved.
That's a neat idea. Thanks, Kayt!
Beautiful as always! Keep shining bright ❤️
I just joined Substack - also a photographer - and this idea is so warming! It’s so exciting to see a platform where photographers are exploring human connection more than just posting an image haha. I don’t have any recommendations on folks but I find it interesting hearing how some photographers like finding moments and documenting and others enjoy create scenes and still life’s. And some see it being both!! Hope you find some connection through it all!
Hey, Zoe! Good to meet you and thanks for the note. I subscribed to your newsletter today. Looking forward to learning about you and your projects!
Thank you for the warm welcome Andy and for following my newsletter. I'll apologize then now for any grammatical errors and run on sentences you'll see in mine hahaha. Excited to hear more about you and others in your discussion as well!!! Currently obsessed with Substack and finding more photo discussions here haha.
Wonderful idea!
Hi Adam,
Sounds really interesting.
As far as I am concerned, I tend to consider photography as a mean to "express myself about the world we live in", not just "express my self". Therefore, my inspiration is always the subject. Whatever subject. Wherever. Whenever. Whoever. The subject. Of course, I consider it with my culture, my knowledge, my sensitivity; I don't pretend to be some kind of "objective journalist" in anyway; but try to be "authentic", rather than "objective".
So inspiration comes from the subject, point of view is a bit more personal, and the point of junction between the two is the true birthplace of the magic and energy!
Enjoy your day, and thank you for FlakPhoto!
Good vibes with this initiative. I’m interested in participating as a Street Photographer based in the Netherlands. I am just starting with Substack, but have a track record on medium: https://medium.com/@fernandopirescoelho.
Have you considered Viggo Mortensen, the actor who plays Aragorn in the Lord of the Rings trilogy?
I posted a note with a comment and photo. I love this idea.
This sounds amazing. I am interested in participating. I am a writer working on a book that I think of as a paper house. A place where my late husband and I can survive eternity. I am also doing a series of Savannah Nighttime photos, which are becoming more and more important to me.
Sounds like an amazing idea Andy! I would love to be a part of this, I will be sending you an email later this afternoon 😃
Recently had an 'interesting' occurrence. I live in downtown San Francisco, an area beset with thousands of: homeless, addicted, and mentally challenged individuals. Many of these individuals are clearly unable to care for themselves and I usually refrain from photographing them, 99.99% of the time. As photographers however, we are advised to photograph what we are familiar with, what we experience in our everyday lives- so it would be rather hypocritical of me to completely ignore this daily segment of my life. As I was sizing up a possible photo op that involved a homeless person, another person walked by admonishing me for doing so. I later discovered he was a prominent member of the SF "street photography" scene.
Generally, I agree with his sentiment. But to automatically assume I was attempting to create an image that was exploitative is the same mistaken assumption made by those who think that photographers taking pictures of buildings, groups in public, etc are potential terrorists. Years ago, I saw a photographer with a motorized Nikon in one hand (with a leather racing glove no less) and a Leica in the other. What a douche, I thought to myself. A week or two later, I saw some of his photos- I learned not to criticize until I saw the final product. That's not to say that the end always justifies the means, but one really should have a more thorough grasp of what may be occurring before they rant and berate...
I'd love to be a part of this! DM me if interested :D
Great idea and I would recommend Wayan Barre, a young and very talented photographer : https://www.instagram.com/wayanbarre?igsh=cms5NDhhZTJuZmY5