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Abelardo Ojeda's avatar

Hi Andy. I agree with you. Printing your photography is like listening to vinyl records, it’s a ritual that requires you to slowdown and focus on the task at hand. Every record has an album cover/art, you have to play the record very carefully and take a look to the album, read the lyrics, take a look to the credits. Sometimes wondering, who’s playing this song? Who write it? Hey, hear that bassline…

In my case I ended up deleting Twitter. Maybe is how my brain works but it was very easy to end up reading any kind of nonsense discussion or subjects in the “For You” tab. It’s a time consuming app for me with a very low engagement (now that hey have the views as evidence). Facebook I use it occasionally to sell some gear at the marketplace. I keep Instagram and Tumblr as my main only social media now.

I think Substack is part of that internet old school that still works, meaning blogs, writing, articles an mail… mostly because you need a pause to read.

Adding one last thought: I think focusing again is not about going far away into the mountains without any signal or wifi… I think mostly requires discipline. I don’t have more notifications in my phone but the essential. We need to remember how we used cellphones ten years ago (or so), when the most important thing was receiving phone calls, getting your email and your SMS. Maybe some books, forums and or blogs. That’s it, not so long time ago internet was a place where we used to be in control.

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William Karl Valentine's avatar

Another solid read with great points, Thank you Andy

I am assuming you mean "can looking at prints being an act of resistance", right? And the resistance is to the 2.5 second page or image view the average person spends on social media?

Don McKenna is correct. You need time to best view a good photograph, especially images with multiple and fine details that are all part of the story of the image. I remember when I first saw Julie Blackmon's prints on the walls at Robert Mann in NYC, they were amazing. The largest sizes worked best. I bought her book which is nice, books always have that intimate experience with images especially since you can sequence images, but her book experience doesn't come close to seeing her prints. But Andy, you are also correct when you have written about the benefits of being able to share images on-line. Without the internet I would miss so many great photographers and it is the best way in today's world to share images. I remember sending out so many packages of slides and CV's in the mail, the process took forever.

I hope I'm not going in the wrong direction here, but you could really take the conversation of how to view images so much farther; and I think it would have value since there are so many people today who became photographers primarily viewing images in digital form. The experience of seeing prints is different than the digital view "like and swipe". I wish everyone interested in photography could have experienced MFA Boston's Howard Greenberg exhibition when they acquired his collection. Most the images were iconic, but the most awesome part of the experience was seeing the print quality and taking time to examine it. The 1924 portrait of Gloria Swanson, by Edward Steichen is one of the most beautiful prints I have ever seen. It takes the experience to another level. I could go on with so many other examples of work I have seen but I am sure you get the point. Maybe I am coming back to your reason for starting Flak Photo with this, viewing digital images is okay but we need to do it in the right way. Take time with an image, view it larger, and come back to it several times to really experience it. I think that is one of your goals and I know for me I am focusing on my portfolios on my websites way more than I am trying to post images to Instagram.

Thanks again Andy

If anyone is interested here is the link to my blog post on the Greenberg Exhibition at the MFA:

http://www.williamkarlvalentine.com/new-blog/2019/11/19/howard-greenberg-collection-museum-of-fine-arts-boston

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